Burnout has important ramifications for employees and organizations and preventing burnout forms an ethical issue for managers. However, the role of the leader and especially the role of ethical aspects of leadership have received relatively little attention in relation to burnout to date. We conducted a survey among employees (N = 386) of a Dutch retail organization, nested in 122 teams with a leader. Our first contribution is that we empirically show the hypothesized opposing relationships of ethical and passive leadership (...) behavior with follower burnout. Furthermore, we examined two job characteristics as mechanisms that link these forms of leadership and burnout. Lastly, we show that the positive relationship of ethical leadership with burnout via role clarity (but not overload) is dependent on the degree of passive leadership the leader is perceived to display. Our results suggest that organizations should promote ethical leadership behaviors and limit passive leadership behaviors by stimulating leaders to be active in their role and use their social influence to promote ethical conduct. (shrink)

This essay provides an overview of what is known about atheists in North America. It begins with estimates of the total number of atheists in North America, including Central America, Caribbean nations, Mexico, Canada, and the US. Demographic characteristics of atheists in Canada, Mexico, and the US based on the World Values Survey are also examined. What life is like for atheists in the US, including the discrimination they experience and the issues they must address in developing an atheist identity (...) in a predominantly religious country, are also detailed. The essay concludes with suggestions for future research. (shrink)

This paper identifies a neglected manuscript, Viterbo, Centro Diocesano di Documentazione, Capitolare 51, as the extant archetype of the Libri Romani version of the glossary of Placidus. It first demonstrates that R is the parent of the three witnesses to the Libri Romani text used by editors, and it considers the implications of the neglected manuscript for future editions of the text. It then corroborates the importance of R by tracing its travels in humanistic and antiquarian circles in Italy in (...) the fifteenth and sixteenth centuries. This history provides a framework for future research on the textual transmission of the Libri Romani text of Placidus. (shrink)

There is public support in the United States and Europe for accounting for animal welfare in national policies on food and agriculture. Although an emerging body of research has measured animals’ capacity to suffer, there has been no specific attempt to analyze how this information is interpreted by the public or how exactly it should be reflected in policy. The aim of this study was to quantify Americans’ preferences about farming methods and the suffering they impose on different species to (...) generate a metric for weighing the trade-offs between different approaches of promoting animal welfare. A survey of 502 residents of the United States was implemented using the online platform Mechanical Turk. Using respondent data, we developed the species-adjusted measure of suffering-years, an analogue of the disability-adjusted life year, to calculate the suffering endured under different farming conditions by cattle, pigs, and chickens, the three most commonly consumed animals. Nearly one-third of respondents reported that they believed animal suffering should be taken into account to a degree equal to or above human suffering. The 2016 suffering burden in the United States according to two tested conditions was approximately 66 million SAMYs for pigs, 156 million SAMYs for cattle, and 1.3 billion SAMYs for chickens. This calculation lends early guidance for efforts to reduce animal suffering, demonstrating that to address the highest burden policymakers should focus first on improving conditions for chickens. (shrink)

Categorization and decision making are combined in a task with photorealistic faces. Two different types of face stimuli were assigned probabilistically into one of two fictitious groups; based on the category, faces were further probabilistically assigned to be hostile or friendly. In Part I, participants are asked to categorize a face into one of two categories, and to make a decision concerning interaction. A Markov model of categorization followed by decision making provides reasonable fits to Part I data. A Markov (...) model predicting decision making followed by categorization is rejected. In Part II, a no-parameter model predicts decisions using categorization and decision responses collected in separate trials, suggesting that Part 1 results are not an artifact of the presentation of categorization and decision questions within a single trial. Decisions concerning interaction appear to be based on information from the category decision, and not from the face stimuli alone. (shrink)

:High-fidelity simulation is a relatively new teaching modality, which is gaining widespread acceptance in medical education. To date, dozens of studies have proven the usefulness of HFS in improving student, resident, and attending physician performance, with similar results in the allied health fields. Although many studies have analyzed the utility of simulation, few have investigated why it works. A recent study illustrated that permissive failure, leading to simulated mortality, is one HFS method that can improve long-term performance. Critics maintain, however, (...) that the use of simulated death is troubling and excessive. Given the controversy regarding simulated death, we consider the data about the educational value and the emotional harms associated with them, expecting that evidence could be useful in resolving the question. The goal of this narrative review is to explore the argument against simulated mortality and provide educators with an imperative as to why it can be safely utilized. (shrink)

Categorization and decision making are combined in a task with photorealistic faces. Two different types of face stimuli were assigned probabilistically into one of two fictitious groups; based on the category, faces were further probabilistically assigned to be hostile or friendly. In Part I, participants are asked to categorize a face into one of two categories, and to make a decision concerning interaction. A Markov model of categorization followed by decision making provides reasonable fits to Part I data. A Markov (...) model predicting decision making followed by categorization is rejected. In Part II, a no-parameter model predicts decisions using categorization and decision responses collected in separate trials, suggesting that Part 1 results are not an artifact of the presentation of categorization and decision questions within a single trial. Decisions concerning interaction (defensive/friendly) appear to be based on information from the category decision, and not from the face stimuli alone. (shrink)

Strategies for improving the explainability of artificial agents are a key approach to support the understandability of artificial agents’ decision-making processes and their trustworthiness. However, since explanations are not inclined to standardization, finding solutions that fit the algorithmic-based decision-making processes of artificial agents poses a compelling challenge. This paper addresses the concept of trust in relation to complementary aspects that play a role in interpersonal and human–agent relationships, such as users’ confidence and their perception of artificial agents’ reliability. Particularly, this (...) paper focuses on non-expert users’ perspectives, since users with little technical knowledge are likely to benefit the most from “post-hoc”, everyday explanations. Drawing upon the explainable AI and social sciences literature, this paper investigates how artificial agent’s explainability and trust are interrelated at different stages of an interaction. Specifically, the possibility of implementing explainability as a trust building, trust maintenance and restoration strategy is investigated. To this extent, the paper identifies and discusses the intrinsic limits and fundamental features of explanations, such as structural qualities and communication strategies. Accordingly, this paper contributes to the debate by providing recommendations on how to maximize the effectiveness of explanations for supporting non-expert users’ understanding and trust. (shrink)

This volume explores the problems and prospects attending evangelical engagement with natural law as a key feature for political thought. Engaging theology, philosophy, political theory and biblical studies, many contributors are optimistic about the prospects of evangelical re-appropriation of natural law, but note ways in which evangelical commitments might lend distinctive shape to this engagement.

This paper studies long-term norms concerning actions. In Meyer's Propositional Deontic Logic (PDₑL), only immediate duties can be expressed, however, often one has duties of longer durations such as: "Never do that", or "Do this someday". In this paper, we will investigate how to amend (PDₑL) so that such long-term duties can be expressed. This leads to the interesting and suprising consequence that the long-term prohibition and obligation are not interdefinable in our semantics, while there is a duality between these (...) two notions. As a consequence, we have provided a new analysis of the long-term obligation by introducing a new atomic proposition I (indebtedness) to represent the condition that an agent has some unfulfilled obligation. (shrink)

A timely and uniquely compelling plea for the importance of nurture in the ongoing nature-nurture debate. In this era of genome projects and brain scans, it is all too easy to overestimate the role of biology in human psychology. But in this passionate corrective to the idea that DNA is destiny, Jesse Prinz focuses on the most extraordinary aspect of human nature: that nurture can supplement and supplant nature, allowing our minds to be profoundly influenced by experience and culture. (...) Drawing on cutting-edge research in neuroscience, psychology, and anthropology, Prinz shatters the myth of human uniformity and reveals how our differing cultures and life experiences make each of us unique. Along the way he shows that we can’t blame mental illness or addiction on our genes, and that societal factors shape gender differences in cognitive ability and sexual behavior. A much-needed contribution to the nature-nurture debate, Beyond Human Nature shows us that it is only through the lens of nurture that the spectrum of human diversity becomes fully and brilliantly visible. (shrink)

“We shouldn’t be scared of philosophy. Ideas are always in charge, we might as well get self-conscious about what they are.”.

Beginning in the late 1960s, psychologists began to challenge the view the definitional theory of concepts. According to that theory a concept is a mental representation comprising representations of properties (or “features”) that are individually necessary and jointly sufficient for membership in a category. In place of the definitional view, psychologists initially put forward the prototype theory of concept, according to which concepts comprise representations of features that are typical, salient, and diagnostic for category membership, but not necessarily necessary. The (...) prototype theory gained considerable support in the 1970s, but came under attack in the 1980s. One objection, most forcefully advanced by Jerry Fodor, is that prototypes do not combine compositionally. Compositionality is said to be an adequacy condition on a theory of concepts. If prototypes don’t compose, then prototypes are not concepts. Or so the argument goes. (shrink)

There are two major perspectives on the origin of emotions. According to one, emotions are the products of natural selection. They are evolved adaptations, best understood using the explanatory tools of evolutionary psychology. According to the other, emotions are socially constructed, and they vary across cultural boundaries. There is evidence supporting both perspectives. In light of this, some have argued both approaches are right. The standard strategy for compromise is to say that some emotions are evolved and others are constructed. (...) The evolved emotions are sometimes given the label “basic,” and there is considerable agreement about a handful of emotions in this category. My goal here is to challenge all of these perspectives. I don’t think we should adopt a globally evolutionary approach, nor indulge the radical view that emotions derive entirely from us. I am equally dissatisfied with approaches that attempt to please Darwinians and constructivists by dividing emotions into two separate classes. I will defend another kind of ecumenicalism. Every emotion that we have a name for is the product of both nature and nurture. Emotions are evolved and constructed. The dichotomy between the two approaches cannot be maintained. This thesis will require making some claims that would be regarded as surprising to many emotion researchers. First, while there is a difference between basic emotions and nonbasic emotions, it is not a structural difference. All emotions are fundamentally alike. Second, the standard list of basic emotions, though by many to be universal across cultures, are not basic after all. We don’t have names for the basic emotions. All emotions that we talk about are culturally informed. And finally, this concession to constructivism does not imply that emotions are cognitive in any sense. Emotions are perceptual and embodied. They are gut reactions, and they are not unique to our species.. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:1 1 6 Philosophy and Literature 1.Jesse Kalin, "Philosophy Needs Literature: John Barth and Moral Nihilism,"Philosophy and Literature 1(1977): 170-82. 2.Kalin states, in summary fashion, that in argument by "exhibition" we are made aware that Jake's concern for Rennie is a "case of relative value which is genuinely reason giving" (p. 176). But he does not defend this claim, so we can only note it and pass on. (...) 3.A. C. Bradley, "Poetry for Poetry's Sake," Oxford Lectures On Poetry (New York: St. Martin's Press, 1965), p. 24. 4.On the "heresy of the separable substances," see Bradley, p. 12 ff., where he defends the claim that "subject is the opposite... of the whole poem. Substance is within the poem." Recall also Robert Frost's dictum that the poem is what remains after translation. 5.J. Glenn Gray, On Understanding Violence Philosophically and Other Essays (New York: Harper and Row, 1970), p. 79. 6.Cf. Eliseo Vivas, "Critical Assizes," The Blue Guitar 1 (1975):84. "... The critic who is interested in going through literature to moral philosophy, political thought, social theory, or the rest, is a man the seriousness of whose interest in any of these disciplines can be questioned. As a moral philosopher, no novelist or literary critic can tie Kant's shoes or those of Bishop Butler; I know of no novelist or literary critic who as a political thinker can hold a candle to Edmund Burke or Michael Oakeshott, or who as a sociologist can rival Karl Marx or Max Weber. A literary critic who thinks he can go through literature to a well established discipline cultivated by the men I have mentioned or others of lesser stature is a dilettante in the pejorative sense of the term. He can't take his drink at the bar and take it straight; he sits in a booth and sweetens his bourbon with gingerale, or, God forbid, with Coca-Cola." 7.William Gass, Fiction and the Figures of Life (New York: Alfred A. Knopf, 1970), p. 11. "An idea must be thought before it can be tested, but a principle encased in fiction has, most likely, not been thought at all. It has been used." HOW WIDE THE GULF? a rejoinder by Jesse Kalin Several rather loosely related but important theses can be abstracted from Curtler's remarks. First, that philosophy and literature are so different in character that it is hard to see how they can seriously have anything to do with each other. Second, that the main thesis of my paper—that philosophy at least sometimes needs literature as an essential stage in its program—is false. And third, that my interpretation of Barth's novels is, if not incorrect, only one of several conflicting readings and hence not able to support the claims I base upon it. I shall discuss each of these in turn. Jesse Kalin117 Throughout, Curtler tries to draw the difference between philosophy and literature as sharply as possible. He concludes that not only do they have no need for each other, but to the degree that one "succeeds as a poet he fails as a philosopher" (p. 115). What might appear to be overstatement (and thus most unphilosophical) is supported by a series of contrasts. Philosophy is a matter of proof, not intuition, of argumentation, not persuasion, of concepts, not images, and so on. However, this rigid and rather positivistic picture of philosophy, resting on a supposedly clear and unbridgeable distinction between philosophy and literature made in terms of method and style, is mistaken, and with it the corollary that the two have nothing to contribute to one another.1 If we look at the actual practice of major philosophers, especially modern ones, we will find that their styles are not readily describable in the terms Curtler suggests they should be to count as philosophy. Imagination, intuition, images, makings, even the actual construction of characters and "dramatic action," are in many cases central. Descartes, Kierkegaard, Nietzsche, Wittgenstein, Heidegger, and Sartre are all cases in point. The essence of this supposed gulf between philosophy and literature is brought out when Curtler says "the way of... (shrink)

Many materialists believe that we should, in principle, be able to build a conscious computing machine. Others disagree. I favour a sceptical position, but of another variety. The problem isn't that it would be impossible to create a conscious computer. The problem is that we cannot know whether it is possible. There are principled reasons for thinking that we wouldn't ever be able to confirm that allegedly conscious computers were conscious. The proper stance on computational consciousness is agnosticism. Despite this (...) agnosticism, I think we are very close to understanding the material basis of consciousness. Close, but we will never get all the way there. Our understanding of the material basis of consciousness is ineluctably incomplete. That makes me a mysterian. But I am not a defeatist mysterian. I do not think the irresolvable mysteries of consciousness prevent us from formulating concrete empirically grounded theories of consciousness. I will even outline such a theory below. I also think we can identify some properties that are necessary for consciousness, and some that are sufficient. The problem is we cannot find properties that are both. This may sound like a contradiction, but it is not. We can know necessary properties and sufficient properties without knowing necessary and sufficient properties. One can know that drinking two litres of alcohol is sufficient for intoxication, and that at least one teaspoon of alcohol is necessary without knowing the quantity that is both necessary and sufficient. In the case of consciousness, the properties we know to be sufficient are properties that computers lack. The properties we know to be necessary can be possessed by computers, but we don't know whether those properties suffice. We can equip computers with every knowable necessary property and still scratch our heads when asked whether we have managed to create artificial experience. (shrink)

In cue-based content-addressable approaches to memory, a target and its competitors are retrieved in parallel from memory via a fast, associative cue-matching procedure under a severely limited focus of attention. Such a parallel matching procedure could in principle ignore the serial order or hierarchical structure characteristic of linguistic relations. I present an eye tracking while reading experiment that investigates whether the sentential position of a potential antecedent modulates the strength of similarity-based interference, a well-studied effect in which increased similarity in (...) features between a target and its competitors results in slower and less accurate retrieval overall. The manipulation trades on an independently established Locality bias in sluiced structures to associate a wh -remnant ( which ones ) in clausal ellipsis with the most local correlate ( some wines ), as in The tourists enjoyed some wines, but I don't know which ones. The findings generally support cue-based parsing models of sentence processing that are subject to similarity-based interference in retrieval, and provide additional support to the growing body of evidence that retrieval is sensitive to both the structural position of a target antecedent and its competitors, and the specificity or diagnosticity of retrieval cues. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Jesse Kai.in THE INTENT OF ROMANTICISM: KANT, WORDSWORTH, AND TWO FILMS Great Kant, As a believer calls to his God, I call upon you for help, for solace, or for counsel to prepare me for death. The reasons you gave in your books were sufficient to convince me of a future existence — that is why I have recourse to you — only I found nothing at all (...) for this life, nothing that could replace the good I have lost.... my heart splits into a thousand pieces. If I hadn't read so much of your work I would certainly have taken my own life by now. But the conclusion I had to draw from your theory stops me — it is wrong for me to die because my life is tormented, and I am instead supposed to live because of my being. Now put yourself in my place and either damn me or give me solace. Maria von Herbert, August, 1791 ' This ESSAY is an attempt to describe a kind of thoughtfulness that has its origins in the beginnings of the Romantic movement and is of ethical relevance today. I will first locate the moral problematic that this thoughtfulness responds to as it arises within the framework established by Kant's moral philosophy. It is that of despair in the face of life and, while this is a problematic Kant himself would consider invalid, the solution it calls for, were he to try to provide it, involves the kind of thinking he considers in the Critique of Judgement, though not in quite the way he understands it. I will then suggest that the Wordsworth of the 1802 "Preface" can be taken as sketching out the sort of response to this problematic that Kant himself refuses to give or even recognize as philosophically needed. This will be a kind of artwork which is at the same time a certain process of thinking. The intent of Romanticism referred to in my title is thus both the concern to resolve this Kantian problem and the goal of achieving this Wordsworthian artwork. What I shall finally propose is that this kind of artwork is ofcurrent interest to moral philosophy and will 121 122Philosophy and Literature elaborate this claim through the discussion of two recent instances, both films — Margarethe von Trotta's The SecondAwakening ofChrista Klages and J.J. Murphy's Print Generation. I Kant sets a complicated and multifaceted background for both Romanticism and modern moral philosophy. His positions are complex and even convoluted and some of his most important ideas are both obscure and presented only obliquely. The problem ofdespair which comes to be at the heart of Romanticism develops out of the two Kantian themes of thoughtful autonomy (enlightenment) and the purposive unity of man and the world. Kant argues that practical reason must affirm these ideas as the Postulates of Freedom and God. In taking this position, however, Kant is implicitly committed to the existence of things good in themselves other than, and finally coordinate to, the Good Will, though he gives no direct account of such goods. Despair in the face of life is grounded in the inability or failure to appreciate these goods, and while Kant provides hints, he is never able to recognize or articulate a means of evidential access to them. Both the need of such goods and the appropriation of them remain submerged and latent themes in his writings. Let us begin with the question ofGod and the wholeness of all things. It would be a disaster, Kant says, if we could not, no matter how hard we tried, accomplish the purpose set for us by the Moral Law which is happiness in accord with virtue. It would be intolerable if the virtuous were always to be unhappy, or the vicious always to have their peace. However, since happiness is only marginally in our control, we need to postulate both immortality of the soul and existence of God as moral author of the world to assure that this purpose, or the summum bonum, can be achieved. What we cannot do, God will. This is the so-called moral argument for the existence of God and its outcome... (shrink)

Over the last decade, attention has crawled from out of the shadows into the philosophical limelight with several important books and widely read articles. Carolyn Dicey Jennings has been a key player in the attention revolution, actively publishing in the area and promoting awareness. This book was much anticipated by insiders and does not disappoint. It is in no way redundant with respect to other recent monographs, covering both a different range of material and developing novel positions throughout. The book (...) might have been called The Attending Self, since Jennings defines attention as mental prioritization controlled by the self. This invocation of the self is among her central innovations, and may prove to be the main source of controversy. I will highlight points of contention here, but want to emphasize at the outset that the book is essential reading for anyone interested in attention. Jennings also contributes to a range of other debates, which will help a broader audience appreciate the importance this topic.After a brief introduction, Jennings provides “a philosophical landscape” of attention (chap. 2), tracing the concept through history. This is an invaluable achievement that will be welcomed by both newcomers and veterans. Jennings exhibits enormous breadth, covering areas that contemporary philosophers of mind tend to neglect: medieval philosophy, Buddhist thought, and phenomenology, to name a few. We also get perspectives on attention from core figures in the Western canon, such as Descartes, Locke, and Kant, as well as thinkers who gave the topic a more political inflection: Mary Wollstonecraft and W. E. B. DuBois. Jennings surveys contemporary literature as well, locating recent work in these older lineages. Some authors get more treatment later in the book (e.g., William James and Wayne Wu). Overall, Jennings provides the best overview of this history I have seen. She proves that attention is not a new topic, but one with deep roots and one that can inform current debates; Jennings draws on these roots throughout. I would love to see a companion piece surveying scientific theories, including “gain control” and “biased competition,” which get little airtime in the book. Some recent philosophical theories are under-explored as well, including Chris Mole’s concept of cognitive unison (Jennings discusses other aspects of his view), Carlos Montemayor and Harry Haladjian’s exploration of attention’s diversity (we get a touch of this), and my own proposal that attention is a gateway to working memory (not mentioned here). That said, no extant survey is more complete.Chapter 3 begins with the empirical claim that attention is regulated by slow brainwaves, and then takes up two issues. The first is mental causation. Endorsing moderate emergentism, Jennings argues that slow brain waves are causally efficacious even though they are not reducible to lower-level processes. (The metaphysics and neuroscience are presented accessibly, aided by three appendixes.) Second, Jennings argues that these slow brain waves indicate that attention is controlled by the self. As someone who was never moved by the mental causation problem—I don’t think overdetermination threatens efficacy—I would have welcomed more development of this second issue. For one thing, in linking attention to subjective control, Jennings eschews the idea that there can be purely “bottom-up” attention driven by stimulus features alone. This goes against the orthodoxy in attention science, and makes it hard for her to accommodate phenomena such as “pop-out,” or the commonsense idea that attention can be “captured” by a sudden flash or loud sound. For another thing, I wanted to hear more on why Jennings relates slow brain waves to the self. Does this include the slow waves that occur during deep sleep? Is there even such a thing as the self? Is there one self or many? How do slow brain waves reflect our interests, projects, values, self-conceptions, autobiographical narratives, or social identities? Does the social self invoked by Wollstonecraft and DuBois gain a foothold here? The whole chapter campaigns against metaphysical reductionism, but arrives at a perspective on the self that will strike some readers as highly reductive.In the fourth chapter, Jennings sheds further light on her conjecture that attention involves the self by advancing the thesis that attention endows sensory information with meaning. On the face of it, this may sound implausible. Object recognition, reading, and many other meaning-involving processes can take place outside of attention and outside of consciousness. But Jennings has a richer notion of “meaning” in mind. She develops the idea of “subject unity,” which is imposition of structure on perception that reflects the interests of the perceiving subject. This, she claims, is what brings perception into the space of reasons. Along the way, she has interesting observations about binding, feature integration, and demonstrative reference. The material is highly original, and Jennings’s postulation of interest-based perceptual organization is compelling. At the same time, one might wonder whether interests are really relegated to the ambit of attentional control. Consider the cocktail party effect, wherein one’s own name captures attention. This implies a preattentive filter that reflects our interests. Emotionally charged words, facial expressions, and dangerous objects also work this way, and social biases can operate preattentively as well. If these reflect our interests, then meaning may arise outside attention.Jennings’s fifth chapter explores the relationship between attention and consciousness. Some authors have argued that attention is necessary and sufficient for consciousness. Jennings focuses primarily on the necessity claim. She does not systematically review the empirical literature here, but she addresses some of the key findings, and effectively rebuts studies that allege to find consciousness outside attention. She does not rest her case there, however. Instead, she identifies a new class of examples that purport to establish the possibility of consciousness without attention. Her central example she calls “conscious entrainment,” which is what we experience when engaged in habitual or skilled activities. Other possible examples touched on in the chapter include hypervigilance in individuals with attention deficit hyperactivity disorder (ADHD), passive movie watching, dreaming, and “attentional neglect.” These states all involve intense focus, Jennings admits, but not attention. To some readers this may sound contradictory. Isn’t focus a kind of attention? Don’t these states of absorption involve stimulus selection and enhancement of relevant features, suppression of distractors, and other hallmarks of attention? Jennings says none of this is tantamount to attention. Recall that she thinks attention is controlled by the self. In these cases, we are invited to imagine that the self takes a passive role: control is either ceded to the world (movie watching) or to previously mastered routines (skills and habits). Thus, Jennings’s claim that there is no attention in these cases hangs on her contentious thesis that attention requires a controlling self. One might also push back by arguing that, in some of Jennings’s allegedly selfless examples, the self remains involved. Skilled activities and hypervigilance, for example, can reflect personal interests.Skills and hypervigilance get more airtime in chapter 6. There, Jennings turns to questions of responsibility—a neglected topic in attention research. The chapter begins with a manslaughter trial in which the teenage plaintiff was given a light sentence because the judge evidently believed that the teen’s ADHD compromised his ability to control his actions. The example may be a bit triggering for people who have a personal relationship with this diagnosis, but, putting that aside, Jennings uses it to introduce the important concept of attention-based control. With reduced control, Jennings argues, comes reduced responsibility. I am inclined to see ADHD as involving dysregulation of attention (difficulty disengaging and dividing attention, for example) rather than diminished attention, but that can still be characterized as an issue with control of attention; therefore ADHD still illustrates Jennings’s point that there is a link between responsibility and control of attention. This, it turns out, is only half of her story. Having argued for this link, one might expect Jennings to follow Wayne Wu, who contends that attention is necessary for action, and hence for responsibility. She does not. Instead, she says argues that responsibility can also arise in cases of “strategic automaticity.” This brings us back to skills. When skills are deployed, action is governed by learned pairings between stimuli and responses. The choice to exercise a skill requires attention, so attention is needed for being a responsible agent, but once a skill kicks in, attention is no longer required, and one can be held responsible for actions performed skillfully—thus attention is not required for responsibility tout court. Jennings addresses an opposing view (defended by Wu, Ellen Fridland, and Barbara Montero), according to which skills involve “automatic attention” rather than no attention. Jennings worries that this move will collapse the distinction between attention and other kinds of selection and filtering that occur throughout the nervous system, including the retina. She says that the attentional interpretation of skilled action is at odds with the lack of top-down reweighing of sensory inputs, regulated by lateral frontal cortex. These objections to automatic attention warrant response. My own view is that attention involves broadcasting to working memory, so retinal filtering is ruled out. Jennings’s insistence on top-down reweighing will not move those who believe attention can be purely bottom-up. For all that, I side with Jennings in wanting to allow for responsibility without attentional control. I think we can be responsible for implicit biases, for example. I also think attentional control is insufficient for responsibility, as when we act under duress.Jennings offers fresh perspective on the nature of attention, and its role in meaningful perception, consciousness, action, and responsibility. Each chapter can be read separately, but they hang together well, and each reflects her thesis that attention is essentially linked to the self. Though I am skeptical of that strong claim, we would do well to follow Jennings in regarding attention as interest-laden interface between mind and world. I look forward to a sequel in which attention is related to richer conceptions of identity, and where the political consequences of this link are actively explored. Meanwhile, one can hardly fault Jennings for covering too little. She tackles a remarkable range of topics, from metaphysics to ethics. Her arguments throughout demand response, repay careful study, and propel the field forward. (shrink)

“We shouldn’t be scared of philosophy. Ideas are always in charge, we might as well get self-conscious about what they are.”.

Jesse Prinz and Shaun Nichols have argued that within metaethics, sentimentalism is the theory that best accords with empirical facts about human moral psychology. Recent findings in experimental moral psychology, they argue, indicate that emotions are psychologically central to our moral concepts. One way of testing the empirical adequacy of sentimentalism is by looking at research on environmental values. A classic problem in environmental ethics is providing an account of the intrinsic value of nonhuman entities, which is often thought (...) to be inconsistent with sentimentalism. However, no supporters of sentimentalist accounts of environmental values have evaluated the empirical adequacy of their claims. The relevant evidence falls under two broad categories: responses to nature itself and moral evaluations of environmental behaviors. The evidence indicates that both valuing and disvaluing nature are ultimately grounded in emotions. (shrink)

We must admire the ambition of Prinz’s title question. But does he provide a convincing answer to it? Prinz’s own view of morality as “a byproduct – accidental or invented – of faculties that evolved for different purposes (1),” which appears to express a negative reply, does not receive much direct argument here. Rather, Prinz’s main aim is to try to show that the considerations he believes are typically presented by moral nativists are insufficient or inadequate to establish that morality (...) is innate. He discusses, individually, how much evidential weight the (alleged) existence of (1) universal moral norms, (2) universal moral domains, (3) fixed stages in moral development, and (4) precursors to morality among non-human animals lend to nativist claims, and, in addition, he argues that poverty-of-the-moral-stimulus arguments are as yet unconvincing. “[C]urrent evidence,” Prinz claims, “is consistent with the conclusion that children acquire moral competence through experience (22).” It is not my intention here to follow Prinz’s piecemeal criticisms of moral nativism. In their attacks on linguistic nativism (see, e.g., Cowie 1999) and now on moral nativism, empiricists typically deploy the.. (shrink)

Starting with the first time they turned on a television or saw a billboard, this generation of teens, more than any generation before, has been inundated with the message, "If I can have that or look more like that, then I will be happy." Get Happy is a breath of fresh air for teenagers to help them become happy with who they are and what they have today rather than waiting for the next big thing. Teen advocate and author Kimberly (...) Kirberger, along with her son, Jesse, enlightens readers with the idea that happiness is a choice, and it is available to us whenever we decide we want it. Kirberger uncovers the lies the media, our educational system, and even our well-intentioned friends and family tell us about happiness. Happiness can only be found in the here and now, not in what the future may bring. Get Happy Guide is all about letting go of our past and stepping into our present. It's about not being a victim and about learning how to gain control over our emotions. Poems, cartoons, and insightful stories are peppered throughout with examples of how other teenagers have found their own sense of happiness. (shrink)

After the great enthusiasm about the moral potentialities of empathy of the last thirty years, this phenomenon has been recently called into question, if not openly criticized, by both philosophers and psychologists among whom we find Jesse Prinz or Paul Bloom. This paper aims to show why empathy should not too easily be regarded as useless or even deleterious for morality and to propose a special role for it. In order to reach this goal, I will briefly sketch what (...) I mean with the term empathy and how is this psychological mechanism different from other akin phenomena like compassion. I will then turn my attention to some criticisms that can be made about the role of empathy for morality which show that empathy seems not a necessary element of the three main dimensions of morality, that is moral judgment, moral development and moral conduct. After that, I will try to defend empathy thanks to the identification of some important roles it can play both at a moral and at an epistemological level, in the attempt to demonstrate that empathy is in fact part of the fundamental features of a moral person. (shrink)

Sophie and her sister, Jess, grow up knowing that a few little lies are necessary: You look great. It was only a joke. He's just stressed. It doesn't matter. Everything's fine. Everybody does it, don't they? But what about the big lies—about love, power and money? When Sophie discovers her father's secret, and Jess falls in love with the charismatic Jake, Sophie has to look at her own life again. Should she keep quiet or tear her family apart with the (...) truth? And if she tells, who will pay the ultimate price? (shrink)

Jesse Prinz’s The Emotional Construction of Morals is among the most significant of illuminations of human morality to appear in recent years. This embarrassment of riches presents the space-starved commentator with a dilemma: survey the book’s extraordinary sweep, and slight the textured argumentation, or engage a fraction of the argumentation, and slight the sweep. I’ll fall on the second horn, and focus mostly on Chapter 7, ‘The Genealogy of Morals’. Like Prinz , 1 I think that genealogical arguments have (...) not, despite their frequent appearance, received enough self-conscious discussion in ethical theorizing; I’ll try to extend Prinz’s amelioration of this neglect, by making some recurring themes explicit. In so doing, I indulge myself in a bit of therapy. I’ve always regarded genealogical arguments with certain ambivalence: genealogies frequently make a beguiling first impression, but just as often, when one gets to know them, their appeal turns out to be superficial. In articulating the contrasting uses to which genealogical arguments might be put, I hope to distinguish uses that deliver real substance from uses where the promise is not realized in the practice.Genealogical arguments are indelibly associated with Nietzsche, so it is unsurprising that Prinz in this chapter parts company with Hume, his usual muse, 2 and takes up, somewhat ambivalently , a Nietzschean torch. I won’t fret the historical details, nor will I trouble myself over where Nietzsche ends and Prinz begins; I’ll simply raise some general issues about genealogy and ethics. 3The Nietzschean insight, according to Prinz , is that ‘the values we currently cherish have a history’ and this history ‘may not be pretty’. Notoriously, Nietzsche was a bit grumpy about Christianity, and he supposed that tracing morality through the dark and labyrinthine history of the Church would unmask the attendant values …. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Heavy TrafficDenis DuttonIt was the Reverend Sidney Smith who said, “I never read a book before reviewing it; it prejudices a man so.” Thirty years ago that remark was still a joke. These days, it’s a downright plausible idea, one with a distinctly postmodern ring. If the objects of experience are nothing but constructions, inventions of our cultures and mind-sets, that must go as well for all the books (...) we read—including those books which urge this fact on us. To read them is to construct them, to write them for yourself. But wait—that can’t be a fact, because facts are just prejudices too. Takes your breath away to realize how far scholarship has come.These thoughts drifted through my mind reading The Traffic in Culture: Refiguring Art and Anthropology, edited by George E. Marcus and Fred R. Myers (University of California Press, $48.00 cloth, $17.95 paper). It comprises a long introduction plus eleven chapters which “explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and the ways they give value to cultural form—in short, a “‘traffic’ in culture.” It is not easy to make out a consistent thread in the essays themselves. Carol Vance offers a fine discussion in the form of four small essays on censorship, the NEA, Jesse Helms, and so forth. There is no discernible connection with anthropology, and I cannot see why these pieces are included. Nancy Sullivan, described as a Ph.D. candidate in Fred R. Myers’s NYU anthropology department, struggles with her cumbersome account of the artworld in the last generation. Again, I can detect no hint of how anthropology has helped her understand the artworld. Hal Foster makes a cameo appearance of only a few pages, a kind of postmodern arabesque with lots of big words. Christopher B. Steiner revisits material [End Page 283] presented in his book, African Art in Transit, which is squarely in the field, and Steven Feld agonizes about appropriation of world music into commercial music business while telling some interesting tales about a radio program he produced of music from Papua New Guinea. The feminist Judith L. Goldstein does a late-capitalist, “late-postmodernist” job on women’s makeup, with much reliance on Fredric Jameson but no anthropology I can discern, despite the fact that she gave a version of it at an American Anthropological Association conference. If we really have reached “late-postmodernism” we can only be thankful. Molly H. Mullin’s account of the nineteenth- and early twentieth-century enthusiasm for American Indian artifacts, on the other hand, may begin with clichés about “élite responses to the rise of consumer capitalism,” but it soon settles down to a solid account of the people and problems of trying to achieve recognition of Indian handicrafts as art. This was made possible, we learn, by much devoted work from people who were multiculturalists before the word existed, white Americans whose actions were based on a love of Indian cultures and arts, rather than postcolonial theory and the school of resentment. All the issues of art vs. craft, the relation of tourism to artistic development, authenticity, and so on, were raised in the 1920s and 30s, with sophistication not often seen today.But to figure out how it all is supposed to tie together, we have to turn to the book’s explanatory introduction. This is so turgidly vague that when I was done I felt like invoicing the authors for my time. These pages are peppered with half-assertions I’d half want to dispute if their meaning were plainer, and a few that are plain enough to be flat-out wrong. Among many examples: “Ironically, the very category of ‘art’—as opposed to ‘the arts’—goes unexamined in its own hierarchies of sense, so that various forms of popular performance, in which disinterested contemplation does not necessarily reign supreme, are excluded.” Excluded? Notice that irritating passive voice: who, I’d like to know, has left popular performance unexamined and excluded? What are “hierarchies of sense”? The sentence carries no reference. In... (shrink)

In the 2005 Kitzmiller v Dover Area School Board case, a federal district court ruled that Intelligent Design creationism was not science, but a disguised religious view and that teaching it in public schools is unconstitutional. But creationists contend that it is illegitimate to distinguish science and religion, citing philosophers Quinn and especially Laudan, who had criticized a similar ruling in the 1981 McLean v. Arkansas creation-science case on the grounds that no necessary and sufficient demarcation criterion was possible and (...) that demarcation was a dead pseudo-problem. This article discusses problems with those conclusions and their application to the quite different reasoning between these two cases. Laudan focused too narrowly on the problem of demarcation as Popper defined it. Distinguishing science from religion was and remains an important conceptual issue with significant practical import, and philosophers who say there is no difference have lost touch with reality in a profound and perverse way. The Kitzmiller case did not rely on a strict demarcation criterion, but appealed only to a “ballpark” demarcation that identifies methodological naturalism as a “ground rule” of science. MN is shown to be a distinguishing feature of science both in explicit statements from scientific organizations and in actual practice. There is good reason to think that MN is shared as a tacit assumption among philosophers who emphasize other demarcation criteria and even by Laudan himself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:CREATOR AND CAUSALITY: A CRITIQUE OF PRE-CRITICAL OBJECTIONS ANDREW BEARDS University of Oalgary Calgary, Alberta IN SOME QUARTERS arguments ias to the existence or non-existence of God are still regarded as intellectually respectaible. Indeed, interest in such arguments is not restricted to those with a strictly philosophical or theological training. Every so often one may observe some specialist from the physical sciences taking an interest in the philosophical discussion (...) of cosmological issues. Such has been the case with the recent contributions of the physicist Paul Davies.1 However, such contributions are likely to invite from the philosopher the response that the generalized notions which the scientist attempts to transpose from the particular field of his scientific interest are the very notions which feature in the current debates on the philosophy and methodology of the sciences. Such debates bring into question the status of these scientific notions and therefore render any putative generalized or even metaphysical application of them problematic. Discussions of natural theology, then, often appear to be conducted in a manner which tends to take too much for granted with regard to the terms employed. The notion of causality, central to such,argumentation, is a case in point. Often enough a simple ":billiard hall" image of causal interaction seems to he all that one is required to keep before the mind in order to follow the lines of argument involved, he they ~or or aiga.inst the postulation of a First Cause. Thus, in the often referred to r:adio.debate on the existence of God between 1 Paul Davies, God and the New Physics (New York: T'ouchstone Books, 1984). 573 574 ANDREW BEARDS Bertrand Russell and Fl1ederick Copleston, Russell simply averred that he did not feel compelled to accept that a causal chain extended heyond the ·World to some First Cause. For, indeed, if one imagines a line of billiard halls transmitting momentum one to the other, there is nothing unintelligible about picturing a first!billiard hall initiating the process apparently unaided. Hume has surely taught us that much. If one is to heed the present debates raging in that arena known as the philosophy of science (by which term one can understand epistemology, metaphysics and virtually ·any other topic tr:aditiona1ly designated philosophical), then one can.be forgi¥en for asking how the question as to the existence of God could he raised in an intelligiible manner. For if one is to agree with Richa1d J. Bernstein's assertion that contemporary philosophy manifests, in the ma.in, 1a rebellious attitude to the "father figure,, of the methodical Descartes,2 then one can be equally well impressed by the fact that this " rebellious spirit" is no Jess informed iby a respect for the Kantian attempt to descry the parameters of valid human knowing. And was it not the Kantian achievement to have dispelled the oibfuscation of metaphysics, thereby eliminating the grounds which were helieved to have substantiated a rational affirmation of the existence of God? The term 'Pre-Critical ' in the title of this essay is, therefore, intended as an e¥ocation of the Kantian demand for a critical v;alidation of the terms employed in philosophical argumentation. However, I shall attempt to advance the thesis that the Kantian enterprise does not, in fact, result in a happy resolution of the problems which it sets for itself. This is, of course, a thesis which could 'be proposed f.rom a number of divergent philosophical standpoints. It is my intention to argue here, however, that the work of the philosopher Bernard Lonergan provides,a more satisfactory method for the carrying through of the critical endeavour to validate epistemologi2 Richard J, Bernstein, Beyond Objectwism and.Relatwism (Oxford: Basil Blackwell, 1983), p. 18. CREATOR AND CAUSALITY 575 cally the philosophical,statements we propose. I believe it is the merit of Lonergan's work to have developed positions on the hasis of an explication of the exigences operative in criticism itself, such that any criticism of this explication will he rbut an example of an incoherent criticism,attempting to invalidate its own procedures.3 In what follows I shall attempt to develop the above-mentioned argument to the effect... (shrink)

A number of scholars have claimed that, on the assumption of incompati- bilism, there is a con ict between God's freedom and God's essential moral perfection. Jesse Couenhoven is one such example; Couenhoven, a com- patibilist, thinks that libertarian views of divine freedom are problematic given God's essential moral perfection. He writes, \libertarian accounts of God's freedom quickly run into a conceptual problem: their focus on con- tingent choices undermines their ability to celebrate divine freedom with regard to the (...) essential divine nature. For an Augustinian [i.e., a compat- ibilist], by contrast, God's freedom is not at odds with the necessities of perfect love but ful lled by it."1 Others who argue for similar conclusions include William Rowe and Wes Morriston. Michael Bergmann and Jan Cover have recently argued that divine responsibility and moral perfection are compatible with the absence of divine freedom. In this paper, I argue that the arguments which hold that divine freedom con icts with essen- tial divine moral perfection fail. I develop an account of divine freedom which not only doesn't con ict with God's essential moral goodness but shows that such goodness is a necessary part of perfected freedom. I then show how this understanding of free will takes away a major motivation for Bergmann and Cover's apparent willingness to reject divine freedom. (shrink)

I learned a lot from reading Jesse Prinz's ambitious and entertaining book, The Emotional Construction of Morals. I think he’d be pleased to know that I learned many interesting things that I would not ordinarily find in a book of academic philosophy. Also, even when I disagreed with him, almost all of my questions were anticipated and addressed as the book proceeded, which is a very satisfying experience as a reader and high praise in philosophy. I say ‘almost all’ (...) of my questions because there are a few that remain. These centre around a puzzle about Prinz's relativism, which is the focus of my comments.The puzzle is about why the kind of relativism we get from Prinz's meta-ethics matters to normative ethics or moral practice. I think it does not . Moreover, I think many things Prinz says – about the advantages of relativism, about practical moral questions, and about moral progress – should have led him also to conclude that relativism doesn’t matter. But he doesn’t draw this conclusion; hence I am puzzled rather than simply disagreeing.Before I get into the puzzle, it will be helpful to explain the kind of relativism Prinz defends. According to Prinz, the truth of judgements about wrongness depends on the values of the person who makes the judgement . So, when a person says ‘it is wrong to kick puppies’, this is true only if the speaker has moral values that proscribe kicking puppies. This is so, in part, because moral judgements are constituted by emotions that are caused by our sentiments, and sentiments represent the secondary quality of causing disapprobation in the person …. (shrink)

This piece, included in the drift special issue of continent. , was created as one step in a thread of inquiry. While each of the contributions to drift stand on their own, the project was an attempt to follow a line of theoretical inquiry as it passed through time and the postal service(s) from October 2012 until May 2013. This issue hosts two threads: between space & place and between intention & attention . The editors recommend that to experience the (...) drifiting thought that attention be paid to the contributions as they entered into conversation one after another. This particular piece is from the BETWEEN SPACE & PLACE thread: April Vannini, Those Between the Common * Laura Dean & Jesse McClelland, Ballard: A Portrait of Placemaking * Amara Hark Weber, Crossroad * Isaac Linder & Berit Soli-Holt, The Call of the Wild: Terro(i)r Modulations * Ashley D. Hairston, Momma taught us to keep a clean house * Sean Smith, The Garage (Take One) * * * * Preface: Variations of Archiving the Anarchive Through Editorial Witnessing by April Vannini “a diagram is a map, or rather several superimposed maps.” 1 What do we do with essays, art, artefacts, and practices that go against, resist, challenge and reject archival capture or documentation since they do not fit within the screen or manage to move beyond conventional scales? What do we do with an essay or artefact that is the event of the event becoming-event itself, or how do we move from volumetric space to two-dimensional space? How do editors, curators, participants, etc. become witness to an anarchive? And most importantly, what are the potential and unanticipated ways in which a volumetric submission can be diagrammed within a two- dimensional space? In short, how do we archive the anarchive? These are questions that have emerged and have been consciously and purposely activated by Sean Smith’s thinkpiece for this issue, The Garage (Take One) . Sean, as part of his contribution to the special issue of drift within the thread in between space and place , created an artefact that emerged out of an event held during May 2013, titled Cottage University: Topology and Immanence . The visual documentation of The Garage (Take One) is not an archive but an anarchive due to its multimodal form, non-representational diagramming, and its reactivation of non-representational folding which animates its non-representational or more-than -representational condition. In short, The Garage (Take One) stymies attempts to be translated into digital text, representationally. As a reader of Sean’s submission you will only have access to a portion of the original submitted contribution (see “Take One”). At this time, I remain the only witness of The Garage (Take One) in its entirety: I was present at the original event, Cottage University: Topology and Immanence , and I was the sole receiver of the original package because of my role as editor for the thread, in between space and place . However, I would like to stress that I was unaware of what Sean would submit as his contribution to the special issue. What is presented here is an emergent rippling of the event that was not predetermined or arranged in advance ... a drifting of sorts! As for now, the artefact sits here on my desk next to a pile of books—folded, creased and somewhat lost in its translation into digital form. Questions of transcribing, translating and converting volumetric space to two-dimensional space have been considered throughout this process. And more importantly this artefact and its processes raise the issue of not what has been saved and included but what has been left out in each conversion of the original into the academic publication. What follows this preface are various “cuts” or “takes” from The Garage: Take One . Each take or cut is merely an interpretive and representational rendering of the original volumetric submission. Although with that said I would like to propose they are more than just representations or interpretations: each take or cut works as rippling variations of the event itself . It is important to acknowledge that much has been lost in the creases and much still lingers which will never be archived within an academic journal. Hence, a discussion of how to archive the anarchive is so crucial to para-academic “scholarship”. I will sum up the process that has emerged from The Garage (Take One) with a final word from Brian Massumi, written in his foreword to Deleuze and Guattari’s A Thousand Plateaus : Each 'plateau' is an orchestration of crashing bricks extracted from a variety of disciplinary edifices. They carry traces of their former emplacement, which give them a spin defining the arc of their vector. The vectors are meant to converge at a volatile juncture, but one that is sustained, as an open equilibrium of moving parts each with its own trajectory. The word 'plateau' comes from an essay by Gregory Bateson on Balinese culture, in which he found a libidinal economy quite different from the West's orgasmic orientation. In Deleuze and Guattari, a plateau is reached when circumstances combine to bring an activity to a pitch of intensity that is not automatically dissipated in a climax. The heightening of energies is sustained long enough to leave a kind of afterimage of its dynamism that can be reactivated or injected into other activities, creating a fabric of intensive states between which any number of connecting routes could exist. 2 The Garage (Take One) Double Take 2:31pm/5:31pm Sean Smith You there? I just wanted to emphasize a couple of things about the process of the submission: 2:31pm/5:31pm April Warn-Vannini Yes, listening. 2:36pm/5:36pm Sean Smith 1.When you describe feeding forward from the CU (Cottage University) event, it is a WALKING ACTIVITY that reinvests/reactivates the intensive energies of the event. that is what my photos are in Take One......it connects the intensive state of CU to my "one-take" writing on construction paper experience. i'm not sure if i adequately conveyed that or not, or if you did, or how important that is. 2. In doing so, it ruptures open the "space" and "place" of material practice ...and how these may enter into the mediated production of academic journal work...and its flattened two-dimensional experience. 3. the abstract machines of CU (i.e.coming out of silence) are invested with a new diagramming practice (the photo walk) to produce a new text that is neither-nor: "spaced" as a content of that walk (garages), but "placed" as a technical question (coming out of silence to language). 4. the new text is precisely diagrammatic, non-representational, anarchival. ....multimodal. ok, that's all that comes to mind right now. appreciating your efforts. 5. oh, finally, i think you might need a better definition of "anarchive" here..... it was hard to pin them down in montreal on what this is, so you wouldn't be wrong, per se, but more require a working definition for the reader. obviously, as you say, without getting too academic/citations, etc. know what i am saying? 2:46pm/5:46pm April Warn-Vannini 1. Totally got it but I think I did because of our many past conversations about how to archive the event 2. Yes this is what I love about this. And I think you speak to this very carefully in your writing on the Garage. Now whether others pick up on this I don't know. This is why I wanted to see what it would look like if I flattened it (take 3). 5. I agree that a better definition is needed. This is where I've been stumbling because I have not found anything that clearly defines what is meant by anarchive. 2:47pm/5:47pm Sean Smith "with take one being the only remainder of the original submission left to reveal...." precisely because of its digitality!!! yeah, i would probably just append an edited version of what we are saying here, as if the editing process was still a ripple of the event. me "adding" new text later i think defeats the purpose, but if you were to take snippets of this dialogue as part of the anarachive/ 2:48pm/5:48pm April Warn-Vannini Totally! 2:49pm/5:49pm Sean Smith and just *use them*, i think that's fair game. that way i won't be crafting my words with intent. you can even use this profile pic. 2:50pm/5:50pm April Warn-Vannini Okay perfect. With that said, do you think I should just discuss your process further in the preface or include an introduction that would be in take one? 2:51pm/5:51pm Sean Smith could it be Take Two in its own right, like an atemporal ripple that coexists with the others and bumps them to Three, Four and Five? Or could it be called "Double Take" and leave the others as Two, Three, Four? 2:53pm/5:53pm April Warn-Vannini Perfect. I like double take 2:53pm/5:53pm Sean Smith and it's us hashing through this discussion 2:53pm/5:53pm April Warn-Vannini Double take will follow take one. i like this. The Garage (Take Two) Folded, taped (scotch and duct), folded recycled chart paper previous emergent thoughts: performed, inscribed and made anew Red jiffy, black jiffy, blue ink pen cursive writing/block writing diagramming amplification dilated » » » » directional arrows « « « « Moistened, torn, crinkled Ruptures Anarchive of thought events Deciphering language/writing Exchanged as a volumetrics of new spaces Performing tactics of “writing off the page” on the page Enclosed [OPEN THE DOORS, MOVE FROM SURFACE TO VOLUME…AND THE CONVERSATION JUST MIGHT BEGIN ANEW. *stamped* SEAN SMITH] Drifting Drifting Drifting The Garage (Take Three) 6 Sean Smith video from April Vannini on Vimeo . The Garage (Take Four) The Garage (Take Five). (shrink)

This piece, included in the drift special issue of continent., was created as one step in a thread of inquiry. While each of the contributions to drift stand on their own, the project was an attempt to follow a line of theoretical inquiry as it passed through time and the postal service from October 2012 until May 2013. This issue hosts two threads: between space & place and between intention & attention. The editors recommend that to experience the drifiting thought (...) that attention be paid to the contributions as they entered into conversation one after another. This particular piece is from the BETWEEN SPACE & PLACE thread: April Vannini, Those Between the Common * Laura Dean & Jesse McClelland, Ballard: A Portrait of Placemaking * Amara Hark Weber, Crossroad * Isaac Linder & Berit Soli-Holt, The Call of the Wild: Terror Modulations * Ashley D. Hairston, Momma taught us to keep a clean house * Sean Smith, The Garage * * * * Instead of beginning with radical doubt, we start from naiveté. —Graham Harman, The Quadruple Object Deep in the forest a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call sounding imperiously, deep in the forest. —Jack London, The Call of the Wild The figure of the feral remains a perpetual enigma, but the parameters remain relatively consistent. A person, usually a child, enters civilization after having been raised by wolves or kept in some kind of cruel captivity. The outsider perspective on domestication ensuing in an edge of a culture's self-recognition of its clumsier attributes, what has been taken for granted becomes apparent, is brought to the foreground with the stranger and made questionable. Amusement follows naïve questions or observations such as Kaspar Hauser in the Herzog film, The Enigma of Kaspar Hauser, when Kaspar notes that while in his room he is engulfed by it, but when he looks at the tower he can turn away and it disappears. Ergo, the room is larger than the tower. How entertaining. The aberrant one destabilizes the comforting cultural normative. Places become seen as mere impressions out of space, a patterning, a rut that not everyone lives in like us. This is one figure of the feral. The naiveté that begs all the questions. As a figure for a certain philosophical disposition, the rapidity of one’s saccade scans the environment, intuits it’s space, not from an initial thaumazein or a Critchlean sense of disappointment, but from a child-like naiveté bent on survival. To serve the naïve is merely one form of critique, and it is not nearly used enough in lieu of the critique that provides answers. How dull. It is not necessary to be an outsider to entrench a critique with naiveté. After having forced to suffer in the most parched and rocky terror, itself for so long rooted upwards of fifty feet into the ground upon which it grows, even a grapevine can spontaneously produce a white grape on a red vine. The curious feral can arise from within, and like pinot grigio, it adds variety without admonishing its roots. There is also the feral dog. Not raised by wolves, but humans. Founded in place the figure of this feral denies this place. The trajectory of this feral roves from the cultivated to uncultivated, or in speaking of plants from controlled to volunteer, finding the necessary nutrients and survival patterns on its own. Finding other places, reaching out into space testing its fertility. And when introduced into a foreign environment, it withers or flourishes. We would like to attempt a thesis at this juncture and to accept neither feral figure in its entirety, but to argue for the intimate conjunction between a cultivated place and its resonance with the space it procures for its nest and kin. I'm not a biter, I'm a writer for myself and others. —Jay-Z, What More Can I Say? I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want to know it and so I write for myself and strangers. —Gertrude Stein, The Making of Americans There is no subjective disposition outlining an unambiguous individual of the para-academy. There is no para-academic. We all have day jobs. 'Para-academic' seeped through the cracks as an adjective in the call to frame publishing dedicated to the critical rigor expected by academic publishing, but to deny the limitations of guarded legitimation through capital means. Open-access holds hands with this parasitic descriptor. Para-academic publishing's refusal to adhere to the valuation of locked access of a site, the site “of a desperate initiation to the empty form of value,” 1 seeks to recognize not merely an inclusive interpretation of significance, but the significance of thinking practice. The practice inside the paywalls of academic 'education' is held in a deathgrip by its infatuation with value and information, both empty without the apprehension of human experience, the barbaric yawp. “I can't breathe in here.” It is not that a para-academic practice leads one to the childish wonder of Kaspar Hauser who wonders about the spatiality of his room. It is the academic legitimation that distorts that one can hold the understanding of both in a constellation of place and space. Led to believe there is only a place for things, we are led to disillusionment. It is also not that a para-academic practice relinquishes itself to the invasive growth outside of careful cultivation, an abandonment of pleasantries for the toothy growl of a predator. It is the academy's fear that thought does not require capital to signify value. Some of the most nutritious meals can be foraged. Defining a para-academic practice is not outlining a place of accreditation of the practice, it is the recognition that any place is subject to modulation by the space it inhabits as well as creates. The para-academic practice keeps an eye of the creation of spaces, follows those paths that eat themselves in the name of academia. This is not unlike Red Peter's report to the academy, only successful if we report in idle idiosyncratic banalities that we have once again become victorious in our acculturation and nullification within the confines of accredited mush and our trajectory of wild rigor is defeated in our desire for recognition as recognizable in this place. Weeds are integral to the functioning of a large ecosystem. The manicured garden is entirely reliant on its keeper. The pansy can also go wild once neglected, the daisy definitely does.... a universe comes into being when a space is severed or taken apart. The skin of a living organism cuts off an outside from an inside. So does the circumference of a circle in a plane. By tracing the way we represent such a severance, we can begin to reconstruct, with an accuracy and coverage that appear almost uncanny, the basic forms underlying linguistic, mathematical, physical, and biological science, and can begin to see how the familiar laws of our own experience follow from the original act of severance. The act is itself already remembered, even if unconsciously, as our first attempt to distinguish different things in a world where, in the first place, the boundaries can be drawn anywhere we please. At this stage the universe cannot be distinguished from how we act upon it, and the world may seem like shifting sand beneath our feet. —George Spencer-Brown, Laws of Form Two edges are created: an obedient, conformist, plagiarizing edge, and another edge, mobile, blank, which is never anything but the site of its effect: the place where the death of language is glimpsed. These two edges, the compromise they bring about, are necessary. —Roland Barthes, The Pleasure of the Text Between these two epigraphs, interminable questions of where and questions of happening, gesture, and interface. To stay buoyed between a site of visible happening and haptic perspicacity. Bounded by one or the other leads to a desiccation of potential knowledge. The tumbleweed tumbles until met with mud, a bare structure moving but not movement. A tumbleweed tumbleweeds, propagates only at a place. It becomes significant again, continues. Significance, the site where meaning is made known through kinesthetic apprehension. 2 The feral founds a gestural horizon; an outsider’s scrawl-becoming-law; Deleuze teaching Meno’s dog geometry. Place as marked, outlined, recognized, territorialized. The academies marked by their peculiar disciplines, outlined by their rigid boundaries, recognized as factories of value. This far from ensures complete purchase on the space of thought, but it has made an undeniably elaborate means of making work significant. The academy is a muddy spot, it is fertile, but its gates are high and its dogs are barking. The coordinates of concept and experience. Already claimed by a stabilizing suspension, the terms enter specificity of ‘this is this’. Another correlation: activity and the individual. The individual, a placeholder in the crosshairs of juridical identification. Activity, what expands and surrounds this location, but utterly indebted to the node of “one who”. What's happening in this oscillation of nature and nurture is practice. Practice, as Stengers tells us “is not the activity of an individual or the product of that activity. It is the ingredient without which neither that activity nor this product would exist as such.” 3 Moving outward from our own honing, we're curious about the ingredient creating the place for holding conceptual and experiential engagements in each hand. And we'd like to argue that this place is not a limiting specification, but a practice undulating daily, by the minute. And we call this practice the para-academic practice. I repeat: there was no attraction for me in imitating human beings; I imitated them because I needed a way out, and for no other reason. —Franz Kafka, A Report to an Academy In order to exist, man must rebel, but rebellion must respect the limit it discovers in itself—a limit where minds meet and, in meeting, begin to exist. — Albert Camus, The Rebel Anyone is a para-academic or practicer of such means. The academic can, and we argue should, be active para-academically, to escape the bounds, recognizing no site specific place as a place to rest on or the place to grab the Kafka's top and wonder at its disobedience not to continue. Yet, the para-academic practice must maintain the desire for rigor in scholarship. Indeed desiring past itself to claim a more naïve rigor, one that does not take its form for granted. Without a para-academic practice, the scholar spends half the time merely working on behalf of a hierarchy, to maintain it, and the other measly amounts of time are in the name of thinking, but only in name. Not to mention the amount of debt it takes to attend the halls of higher education. Not to mention the snoring tenures. Not to mention the barely scraping by adjuncts. Not to mention the materials that shake the very force of producible theory. Not to mention when swimming in texts becomes slogging through data. Academia is a barbaric food chain and it is our claim that there is, as always, an imperative for thought to move, with Heidegger, beyond the logics of calculation and planning, to a time of its own. The path, into the panic of the dark wood of this space can be followed by any; any who let the silence and the rigor enter the play. Where the little theater is larger when inhabited ; where the data of the tutor asymptotically refutes; and where, as much as one wouldn’t expect it here, ballet may turn out to be the most feral of forms… NOTES Jean Baudrillard, “Value's Last Tango” Simulacra and Simulation trans. Sheila Faria Glaser,. “What is significance? It is meaning, insofar as it is sensually produced.” Roland Barthes in The Pleasure of the Text. Isabelle Stengers, “The Science Wars” Cosmopolitics I trans. Robert Bononno, 47. (shrink)

T. A. Cavanaugh's Hippocrates' Oath and Asclepius' Snake: The Birth of the Medical Profession articulates the Oath as establishing the medical profession's unique internal medical ethic - in its most basic and least controvertible form, this ethic mandates that physicians help and not harm the sick. Relying on Greek myth, drama, and medical experience (e.g., homeopathy), the book shows how this medical ethic arose from reflection on the most vexing medical-ethical problem -- injury caused by a physician -- and argues (...) that deliberate iatrogenic harm, especially the harm of a doctor choosing to kill (physician assisted suicide, euthanasia, abortion, and involvement in capital punishment), amounts to an abandonment of medicine as an exclusively therapeutic profession. The book argues that medicine as a profession necessarily involves stating before others what one stands for: the good one seeks and the bad one seeks to avoid on behalf of the sick, and rejects the view that medicine is purely a technique lacking its own unique internal ethic. It concludes noting that medical promising (as found in the White Coat Ceremony through which U. S. medical students matriculate) implicates medical autonomy which in turn merits respect, including honoring professional conscientious objections. (shrink)

Philosophy, social problems, and global environmental change.

T H Mclaughlin; Peter Gardner on Religious Upbringing and the Liberal Ideal of Religious Autonomy, Journal of Philosophy of Education, Volume 24, Issue 1, 30 Ma.